Matthew James Jordan

Matthew James Jordan

Joined the Vanemuine Theatre in 2009

Born
6.10.1989, Great Britain
Education
2004 – 2009 Elmhurst Dance School (Great Britain)
Repertoire
Aleksei Fedotik – “There Were Three Sisters” (Chekov/Aidla 2020), “Tango of Love” (Piazzolla/Murdmaa 2019), Villager, etc – “A Trenchang Hidalgo Don Quixote from La Mancha” (Savolainen/Pärn 2019), “Romeo and Juliet” (Prokofiev/Zuska 2018), “Sweeney Todd” (Sondheim/Jonas 2018), “Viennese Blood” (Strauss/Madia 2018), “Man in the Movie” (Stubbs 2018), “Step into the Light” (Jordan 2017), “Don Juan” (Madia 2016), “Snow Queen” (Stubbs 2016), “Midnight in Paris” (Shannon 2015), Glazunov’s “Raymonda” (Pankova 2013), “Beauty and the Beast” (Stubbs 2013), “Carrrmen!” (Stepanov 2012), “Evening with Strauss” (Gibert 2012), Petter – Tchaikovsky’s  “Nutcracker” (Isberg 2004/11), “Casanova” (Sonnenbluck 2011), “Abba” (Stepanov 2011), “Petrouschka’s Afternoon” (Lidberg 2010), “Mowgli” (Tommingas 2010), “Evita” (Malvius 2009), “Kiss of the Spiderwoman” (Hovenbitzer 2009), “Kevade” (Stepanov 2009), “Sleeping Beauty” (Isberg 2008), “Giselle” (Adam/Fečo 2007), “Onegin” (Medvedjev 2007), “Queen”, “Moonlight Express”, “Ball in Savoy” etc.
Director-choreographer
“Step into the Light” (2017)
Tap choreographer for the musical „Billy Elliot“ (Kask 2015)