Anton Iakovlev

Anton Iakovlev

Joined the Vanemuine Theatre in 2015

Education
1992 – 2000 Russian Ballet Academy of Vaganova, St. Petersburg, Russia (Teacher Boris Bregvadze)
Professional experience:
2014 – 2015 Columbia City Ballet
2014 Charleston City Ballet (rank: principal)
2013 – 2014 Connecticut Ballet (rank: soloist)
2013 Ballet Theatre of Maryland (rank: principal dancer)
2008 – 2012 Oklahoma City Ballet;
2007 – 2008 Albany Berkshire Ballet
2006 – 2007 New York Theater Ballet
2002 – 2006 Vanemuine Ballet („E-duur“ by Thomas Edur, J. Strauss’s operetta „The Bat“,  Handel’s opera „Acis and Galatea“, Fokin’s „Chopiniana“, Minkus’s „Don Quixote“, „Alice in Wonderland“, „Wedding Trip“ ( Murdmaa) Tchaikovsky’s “Nutcracker” (Isberg),  Mendelssohn’s „Midsummer Nights Dream“ ( Fanari), Webber’s musicals: „Cats“, „Evita“, „Aida“, „Jesus Christ Superstar“
Repertoire
“Tango of Love” (Piazzolla/Murdmaa 2019), Priest, etc – “A Trenchang Hidalgo Don Quixote from La Mancha” (Savolainen/Pärn 2019), “Romeo and Juliet” (Prokofiev/Zuska 2018), “Sweeney Todd” (Sondheim/Jonas 2018), “Viennese Blood” (Strauss/Madia 2018), Movie Director – “Man in the Movie” (Stubbs 2018), Sammalhabe – “Naksitrallid” (Savolainen/Pärn 2017), Policeman – “Rhinoceros” (Murdmaa 2017), “Don Juan” (Madia 2016), “Snow Queen” (Stubbs 2016), “Mamma Mia!” (Andersson/Ulvaeus/Mäeots 2016), “Midnight in Paris” (Shannon 2015), “Master and Margarita” (Bulgakov/Savolainen/Pärn), “Carmen” (Bizet/Madia), “The Phantom of the Opera” (Webber/Malvius)